Victorian,Classic & Antique Our admiration of the antique is not admiration of the old, but of the natural.
Ralph Waldo Emerson

Figurine

  • Date:

    19th century (made)

  • Artist/Maker:

    unknown (production)

  • Materials and Techniques:

    Porcelain and gold enamel

    Representations of Greek dance in 18th and 19th century painting, sculpture, painted vases and reliefs were inspired by archaeological sources. Classical images were considered noble and had the added appeal of close-clinging draperies revealing the female figure. This porcelain figurine is one of a pair which were probably designed to stand together on a mantelpiece decoration, on either side of an imposing classically-inspired clock.

Figurine

  • Date:

    19th century (made)

  • Artist/Maker:

    unknown (production)

  • Materials and Techniques:

    Porcelain and gold enamel

  • Credit Line:

    Cyril W Beaumont Bequest

    Representations of Greek dance in 18th and 19th century painting, sculpture, painted vases and reliefs were inspired by archaeological sources. Classical images were considered noble and had the added appeal of close-clinging draperies revealing the female figure. This porcelain figurine is one of a pair which were probably designed to stand together on a mantelpiece decoration, on either side of an imposing classically-inspired clock.

Pair of shoes

  • Place of origin:

    Belgium (made)

  • Date:

    ca. 1925 (made)

  • Artist/Maker:

    Lilley & Skinner (manufacturers)

  • Materials and Techniques:

    Gold kid, painted and lined with grey kid

    This pair of ladies’ evening shoes, in gold kid, is painted and lined with grey kid. It is labelled ‘Hand made expressly in Belgium for Lilley & Skinner Ltd., London’, and painted with a pattern of multi-coloured sprigs. 
    The 1920s produced the most exciting shoes of the century, with tremendous variety in cut, colour and ornamentation. Most shoes were high-heeled, even for dancing, necessitating straps over the instep. Bright colour mixes reached a peak by 1925.

Hat

  • Place of origin:

    Lucknow (made)

  • Date:

    mid 19th century (made)

  • Artist/Maker:

    Unknown (production)

  • Materials and Techniques:

    Gold thread and sequins

    Made in the form of a European crown of beaded and embroidered fabric.The court at Lucknow was heavily influenced by European style and ceremonial.

Hat

  • Place of origin:

    Paris (made)

  • Date:

    ca. 1950 (made)

  • Artist/Maker:

    Cristóbal Balenciaga (designer)

Hat and hat pin

  • Place of origin:

    Paris (made)

  • Date:

    1948 (made)

  • Artist/Maker:

    Svend (milliner) 
    Jacques Fath (made for)

  • Materials and Techniques:

    Plush with net and velvet veil, and brass

Gorgeous 1940s round locket with engraved flower on the front with green and pink colored gold highlights.

Hornbill in a cage, c.1900

c.1900

Carl Fabergé

Acquired before 1953

Sardonyx cameo of Adam and Eve, with a gold and gem set mount and pendant

Cameo: late 16th cent.; Mount: early 18th cent.

Italian

First recorded in the Royal Collection in 1872

Agate cameo of a bacchante and an African man with a gold and enamel mount

Cameo: late 16th/early 17th cent.; Mount: late 16th/early 17th cent.

First recorded in the Royal Collection in 1872

Sardonyx cameo of Augustus(?) with a gold and silver scrollwork and garnet mount

Cameo: late 16th cent.; Mount: early 19th cent.

Cameo: Italian; Mount: English

First recorded in the Royal Collection in 1872

Onyx cameo of Augustus(?) with a gold mount of inner and outer frames of enamel

Cameo: 2nd half 16th cent.; Mount: 16th cent. with 19th cent. additions

Italian

First recorded in the Royal Collection in 1872



1 2 older »